Description
- Auteur:
- Dalí i Domènech, Salvador
- Date:
- c. 1971
- Nom de l’objet:
- Peinture
- Technique:
- Huile et sable sur plaque en métal
- Dimensions:
- 101 x 69 cm
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string(2412) "2015/10/13
Collage de sorra i mica sobre planxa d'alumini i aglomerat. Anotació amb llapis en una de les fitxes "no és oli però és pintura". Cal aclariment?
2017/09/07: reunió catàleg raonat pintura (Montse Aguer, Fiona Mata, Carme Ruiz) revisió del títol / data
2017/09/14: Informació proporcionada per Jordi Artigas (8/09/2017):
El segon: p0028
No sabem quin escut hi havia a sota.
Iconografia identificada:
1.Dodecaedre estrellat dibuixat(dissenyat?) per Leonardo da Vinci per a l’obra de L. Pacioli LA DIVINA PROPORCIÓ I ELS SOLIDS PLATÒNICS. De tota manera, cal comprovar això de DODECAEDRE.
2.La rosa, una de les flors preferides de Gala i omnipresent als jardins del castell.
3.Castell blau. ESCUT DE CADAQUÉS? Possible única referència a l’escut preexistent.
P0029 Reintrepretació de l’escut de la família Corbera, barons de Pb durant el primer ¼ de segle XV per matrimoni amb Margarida de Campllong. Bernat de Corbera és que contracta BERNAT MARTORELL per el retaule de l’església del castell.
L’escut dels Corbera va esdevenir l’escut del Poble i és present a l’esglesia de Pb i a la façana principal del castell. A l’escut original el corb apareix amb les ales plegades.
Dalí torna a reproduir el corb en els lloms dels elefants del Jardí.
P0030 Reinterpretació de l’escut de la família Campllong, barons de Pb la segona meitat del s. XIV i principis del XV. Gispert de Campllong forma part de la cort de Barcelona i, probablement, la seva esposa i vidua Sança te un paper important en la modernització arquitectònica del castell que, més tard, continuaran els Corbera deixant definida l’estructura actual de l’edifici.
P0031 Reinterpretació de l’escut de la família DE MIQUEL, barons de Pb i maquesos de Blondel. Darrers propietaris del castell abans de Dalí.
P0032 L’únic escut de la sala que conserva l’estat original en que Dali i Gala van trobar-se tots els escuts. A cop d’ull només s’hi pot identificar un “quarter” amb les 4 barres. Segons Dalí, en unes declaracions públiques, aquest escut, un cop “intervingut” pels esquitxos dels pintors que estaven pintant la paret blanca, es va transformar en una mostra d’expressionisme abstracte americà.
ELS CASTELL CATALANS, Vol II, pp 127ss, Rafael Dalmau editor, BCN 1967
REVISTA DE GIRONA, un article de Jaime Marqués Casanovas (està a la biblio d’en Dalí)"
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["hierarchy"]=>
array(1) {
[0]=>
array(3) {
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string(60) "/coeli/FGSD/SKOSConcept/e3d45eae-0ae3-5583-83bb-410974234506"
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}
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}
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array(3) {
[0]=>
array(4) {
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["type"]=>
array(4) {
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}
}
}
["text"]=>
string(12) "Sense títol"
["translation"]=>
string(10) "Sans titre"
}
[1]=>
array(4) {
["display"]=>
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array(4) {
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["$public"]=>
bool(false)
}
}
}
["text"]=>
string(106) "Reinterpretació de l'escut de la família Corbera de la Sala dels Escuts del Castell Gala Dalí de Púbol"
["translation"]=>
string(107) "Réinterprétation du blason de la famille Corbera de la Salle des Blasons du Château Gala Dalí de Púbol"
}
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array(4) {
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["type"]=>
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bool(true)
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array(1) {
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bool(true)
}
}
}
["text"]=>
string(3) "S/T"
["translation"]=>
string(119) "Sans titre. Réinterprétation du blason de la famille Corbera de la Salle des Blasons du Château Gala Dalí de Púbol"
}
}
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string(6) "956021"
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int(800)
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string(3) "YUV"
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array(3) {
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array(3) {
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array(3) {
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string(5) "title"
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array(3) {
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}
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}
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}
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bool(false)
}
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array(3) {
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}
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bool(false)
}
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array(3) {
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bool(false)
}
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bool(false)
}
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array(3) {
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bool(false)
}
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array(3) {
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bool(false)
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string(39) "portraitMedia.mediaMetadata.aspectRatio"
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array(3) {
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bool(false)
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}
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int(15)
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}
}
["endpoint"]=>
string(14) "HeritageObject"
}
