Description
- Date:
- 1934
- Object name:
- original prints
- Technique:
- Heliogravure, etching and retouching on laid paper
- Dimensions:
- 28.1 x 22.6 cm
Bifolio sheet, folded and sewn. Full sheet dimensions: 28.10 x 45.20cm
- Número d'objecte:
- 0524
/coeli/FGSD/Collection/CAT_RAO_OBRA_GRAFICA
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50 with an original engraving signed by Dalí
1 - 3 (3) Chinese paper
4 - 10 (7) Montval paper
11 - 50 (40) Arches paper
These fifty copies contain an original etching signed by Salvador Dalí
51 – 250 (200) Alfa Bouffant paper (indicated in the ‘‘Subscription Bulletin’’)
2 on Chinese paper printed by the author and the illustrator
HC 25 on Turner Geranium paper
"
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string(268) "The "Subscription Bulletin" managed by José Corti, the general depositary of the 'Éditions Surréalistes', indicates that the date of appearance of the work is June 15, 1934, five days after the printing date indicated in the Justification of the book's circulation."
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The print run reflects the addition of all numbered prints including those of the illustrator's, author's and HC copies."
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The print run reflects the addition of all numbered prints including those of the illustrator's, author's and HC copies."
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Papel bifolio doblado y cosido. Cubeta biselada 3mm. Firma manuscrita en EII y tiraje en EID. Firma en plancha :S. Dalí en EID:
Estudiat 2011- 2012 estudi detallat, lupa i musis a Belles Arts. Comparació sí amb catàlegs raonats Prestel i Field, altres catàlegs, pàgines webs i altres."
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string(480) "(Valoració AON novembre 2013:.30.000 euros). -- Mides planxa: 25,2 x 19,1 cm. -- Escrit de Salvador Dalí en la planxa, ZID:""ESPASMO-GRAFIFISME" OBTENU AVEC LA MAIN GAUCHE PENDANT / QU'AVEC LA MAIN DROITE JE ME MASTURBE JUSQU'AU SANG / JUSQU'AU L'OS JUSQU'AU HÈLICES DU / CALICE ¡ / S. DALÌ". -- Frontispici del llibre: Onan / HUGNET, Georges. -- [París] : Éditions Surréalistes, 1934, RI 6392.-- Aquesta obra està a la Fundació Gala-Salvador Dalí des de 24/12/1996. --"
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The book's title refers to an episode from Genesis (Old Testament). Onan, a rebellious character, is condemned to death by divine justice for wasting his seed and refusing to marry his brother Er's widow. (1) In this rotogravure, Dalí reflects his affinity with Hugnet’s verse, marked by sexual desire, loneliness, and exclusion. On a plate laden with ‘spasmo-graphisms,’ the artist inscribed the phrase: ‘“ESPASMO-GRAFIFISME” [sic] OBTENU AVEC LA MAIN GAUCHE PENDANT / QU’AVEC LA MAIN DROITE JE ME MASTURBE JUSQU’AU SANG / JUSQU’AU L’OS JUSQU’AU HÈLICES [sic] DU / CALICE’’ (‘Spasmo-graphism obtained with the left hand while / with the right hand I masturbate to the blood / to the bone to the helices of the / chalice’).
The theme of onanism, present in the artist’s pictorial work since 1927, appears in a veiled form in Apparatus and Hand (Cat. P 195) and is openly addressed in his poem The Great Masturbator and in the oil painting Face of the Great Masturbator (Cat. P 235), both from 1930.
__________
(1) King James Bible, Genesis 38:9-10: ‘And Onan knew that the seed should not be his; and it came to pass, when he went in unto his brother's wife, that he spilled it on the ground, lest that he should give seed to his brother.’
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