Description
- Date:
- 1930
- Object name:
- original prints
- Technique:
- Collotype and pochoir on wove paper
- Dimensions:
- 27.9 x 22.5 cm
- Número d'objecte:
- 5893
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En el Second Manifeste du Surréalisme, Breton denuncia la hipocresia de la societat i subratlla la necessitat de rebel·lar-se contra allò establert. En el seu text, el poeta exalça l’obra de Lautréamont, Les Chants de Maldoror, que tant va inspirar els surrealistes, i reivindica la llibertat de la imaginació i del pensament afirmant: “L’home que s’intimidés erròniament per alguns enormes fracassos històrics és encara lliure de creure en la seva llibertat. (2)”
El llibre va ser publicat en una edició limitada per al Club des Soixante per Éditions Kra de París i, segons el colofó, es va acabar d’imprimir el 20 de juny de 1930.
__________
(1) El text es va publicar prèviament a l’últim número de la revista La Révolution surréaliste, n.12, el 15 de desembre de 1929.
(2) P. 81-82."
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array(3) {
["id"]=>
string(38) "portraitMedia.mediaMetadata.resolution"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[47]=>
array(3) {
["id"]=>
string(42) "portraitMedia.mediaMetadata.resolutionUnit"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[48]=>
array(3) {
["id"]=>
string(38) "portraitMedia.mediaMetadata.colorSpace"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[49]=>
array(3) {
["id"]=>
string(39) "portraitMedia.mediaMetadata.aspectRatio"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[50]=>
array(3) {
["id"]=>
string(37) "portraitMedia.mediaMetadata.frameRate"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[51]=>
array(3) {
["id"]=>
string(41) "portraitMedia.mediaMetadata.fileExtension"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[52]=>
array(3) {
["id"]=>
string(36) "portraitMedia.mediaMetadata.checksum"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[53]=>
array(3) {
["id"]=>
string(45) "portraitMedia.mediaMetadata.checksumAlgorithm"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[54]=>
array(3) {
["id"]=>
string(19) "portraitMedia.large"
["actiu"]=>
bool(true)
["cerques"]=>
bool(false)
}
[55]=>
array(3) {
["id"]=>
string(20) "portraitMedia.medium"
["actiu"]=>
bool(true)
["cerques"]=>
bool(false)
}
[56]=>
array(3) {
["id"]=>
string(19) "portraitMedia.small"
["actiu"]=>
bool(false)
["cerques"]=>
bool(false)
}
[57]=>
array(3) {
["id"]=>
string(28) "representations.digitalAsset"
["actiu"]=>
bool(true)
["cerques"]=>
bool(false)
}
[58]=>
array(3) {
["id"]=>
string(5) "label"
["actiu"]=>
bool(true)
["cerques"]=>
bool(false)
}
}
["alt_img"]=>
string(0) ""
["desc_seo"]=>
string(16) "briefDescription"
["title_seo"]=>
string(5) "title"
["custom_slug"]=>
array(2) {
["user_slug"]=>
string(0) ""
["real_slug"]=>
string(14) "HeritageObject"
}
["extras"]=>
array(3) {
["imatge_gallery"]=>
string(6) "medium"
["imatge_gallery_lightbox"]=>
string(5) "large"
["map"]=>
array(4) {
["showMap"]=>
string(1) "0"
["zoomLevel"]=>
int(15)
["iconHeight"]=>
int(25)
["iconWidth"]=>
int(25)
}
}
}
["endpoint"]=>
string(14) "HeritageObject"
}
