array(0) { } array(0) { }

Descripción

Fecha:
1930
Nombre de objeto:
Libro
  1. Elements gràfics associats (1)
  2. Contenido relacionado (3)
/coeli/FGSD/Collection/CAT_RAO_OBRA_GRAFICA
/coeli/FGSD/Collection/CAT_RAO_SERIES_OG
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Paginas revisadas JM-19,07,2020" } [20]=> array(3) { ["display"]=> string(85) "FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004: p. 105" ["document"]=> array(6) { ["bibTex"]=> string(189) "@misc{Lahuerta2004, title = {El Fenómeno del éxtasis}, author = {Juan José Lahuerta}, publisher = {Siruela}, address = {Madrid}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }" ["label"]=> string(77) "FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(77) "FGSD-D-023089 - El Fenómeno del éxtasis, Juan José Lahuerta, Siruela, 2004" ["$public"]=> bool(false) ["$slug"]=> string(5) "23089" } } ["$slug"]=> string(5) "23089" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/efb930c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(3) "105" } [21]=> array(3) { ["display"]=> string(88) "FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996: p. 53" ["document"]=> array(6) { ["bibTex"]=> string(205) "@misc{Schiebler1996, title = {Dalí : genius, obsession and lust}, author = {Ralf Schiebler}, publisher = {Prestel}, address = {Munich - New York}, year = {1996}, date = {1996}, entryorder = {1996-01-01} }" ["label"]=> string(81) "FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(81) "FGSD-D-021812 - Dalí : genius, obsession and lust, Ralf Schiebler, Prestel, 1996" ["$public"]=> bool(false) ["$slug"]=> string(5) "21812" } } ["$slug"]=> string(5) "21812" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/00b530c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "53" } [22]=> array(3) { ["display"]=> string(83) "FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961: p. 194" ["document"]=> array(6) { ["bibTex"]=> string(184) "@misc{LoDuca1961, title = {A history of eroticism}, author = {Lo Duca}, publisher = {Jean-Jacques Pauvert}, address = {Paris}, year = {1961}, date = {1961}, entryorder = {1961-01-01} }" ["label"]=> string(75) "FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b" ["label"]=> string(75) "FGSD-D-018536 - A history of eroticism, Lo Duca, Jean-Jacques Pauvert, 1961" ["$public"]=> bool(false) ["$slug"]=> string(5) "18536" } } ["$slug"]=> string(5) "18536" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/7138b7c0-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(3) "194" } [23]=> array(4) { ["display"]=> string(97) "FGSD-D-023227 - Dalí, Bompiani, 2004: p. 136 [Hay 2 PDF's del mismo libro. El ID23228 foto Gala]" ["document"]=> array(6) { ["bibTex"]=> string(139) "@misc{Bompiani2004, title = {Dalí}, publisher = {Bompiani}, address = {[Milà]}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }" ["label"]=> string(37) "FGSD-D-023227 - Dalí, Bompiani, 2004" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(37) "FGSD-D-023227 - Dalí, Bompiani, 2004" ["$public"]=> bool(false) ["$slug"]=> string(5) "23227" } } ["$slug"]=> string(5) "23227" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/78ba30c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(3) "136" ["remarks"]=> string(49) "Hay 2 PDF's del mismo libro. El ID23228 foto Gala" } [24]=> array(3) { ["display"]=> string(94) "FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973: p. 50" ["document"]=> array(6) { ["bibTex"]=> string(200) "@misc{Descharnes1973, title = {Salvador Dalí}, author = {Robert Descharnes}, publisher = {Nouvelles Editions Françaises}, address = {Paris}, year = {1973}, date = {1973}, entryorder = {1973-01-01} }" ["label"]=> string(87) "FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(87) "FGSD-D-023838 - Salvador Dalí, Robert Descharnes, Nouvelles Editions Françaises, 1973" ["$public"]=> bool(false) ["$slug"]=> string(5) "23838" } } ["$slug"]=> string(5) "23838" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/d7bc30c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "50" } [25]=> array(4) { ["display"]=> string(156) "FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989: p. 415 [Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867]" ["document"]=> array(6) { ["bibTex"]=> string(159) "@misc{Gerd1989, title = {Salvador Dalí, 1904-1989}, publisher = {Gerd Hatje}, address = {Stuttgart}, year = {1989}, date = {1989}, entryorder = {1989-01-01} }" ["label"]=> string(59) "FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b" ["label"]=> string(59) "FGSD-D-019832 - Salvador Dalí, 1904-1989, Gerd Hatje, 1989" ["$public"]=> bool(false) ["$slug"]=> string(5) "19832" } } ["$slug"]=> string(5) "19832" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/783db7c0-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(3) "415" ["remarks"]=> string(86) "Hay texto p.76 y 414. Y hay PDF adicionales en carpeta repetidos con ID21475 y ID19867" } [26]=> array(3) { ["display"]=> string(140) "FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008: p. 73" ["document"]=> array(6) { ["bibTex"]=> string(246) "@misc{Aguer2008, title = {Salvador Dalí and the magazines}, author = {Montse Aguer i Teixidor, Juan José Lahuerta}, publisher = {Distribucions d'Art Surrealista}, address = {[Figueres]}, year = {2008}, date = {2008}, entryorder = {2008-01-01} }" ["label"]=> string(133) "FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(133) "FGSD-D-023916 - Salvador Dalí and the magazines, Montse Aguer i Teixidor, Juan José Lahuerta, Distribucions d'Art Surrealista, 2008" ["$public"]=> bool(false) ["$slug"]=> string(5) "23916" } } ["$slug"]=> string(5) "23916" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/25bd30c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "73" } [27]=> array(4) { ["display"]=> string(165) "FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980: p. 25 [Se ha utilizado otro ID para PDF. El ID19896]" ["document"]=> array(6) { ["bibTex"]=> string(209) "@misc{Centre1980, title = {La Vie publique de Salvador Dalí}, publisher = {Centre Georges Pompidou, Musée National d'Art moderne}, address = {Paris}, year = {1980}, date = {1980}, entryorder = {1980-01-01} }" ["label"]=> string(111) "FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b" ["label"]=> string(111) "FGSD-D-019895 - La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, 1980" ["$public"]=> bool(false) ["$slug"]=> string(5) "19895" } } ["$slug"]=> string(5) "19895" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/b73db7c0-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "25" ["remarks"]=> string(44) "Se ha utilizado otro ID para PDF. El ID19896" } [28]=> array(3) { ["display"]=> string(90) "FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997: p. 57" ["document"]=> array(6) { ["bibTex"]=> string(202) "@misc{Gallimard1997, title = {Le Surréalisme et l'amour}, publisher = {Gallimard / Electa, Paris-Musées}, address = {Paris, [París], [S.l.]}, year = {1997}, date = {1997}, entryorder = {1997-01-01} }" ["label"]=> string(83) "FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(83) "FGSD-D-021886 - Le Surréalisme et l'amour, Gallimard / Electa, Paris-Musées, 1997" ["$public"]=> bool(false) ["$slug"]=> string(5) "21886" } } ["$slug"]=> string(5) "21886" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/48b530c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "57" } [29]=> array(3) { ["display"]=> string(96) "FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986: p. 38" ["document"]=> array(6) { ["bibTex"]=> string(200) "@misc{Chadwick1986, title = {Les Femmes dans le mouvement surréaliste}, author = {Whitney Chadwick}, publisher = {Chêne}, address = {Paris}, year = {1986}, date = {1986}, entryorder = {1986-01-01} }" ["label"]=> string(89) "FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b" ["label"]=> string(89) "FGSD-D-020093 - Les Femmes dans le mouvement surréaliste, Whitney Chadwick, Chêne, 1986" ["$public"]=> bool(false) ["$slug"]=> string(5) "20093" } } ["$slug"]=> string(5) "20093" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/7d3eb7c0-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "38" } [30]=> array(3) { ["display"]=> string(92) "FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004: p. il. 73" ["document"]=> array(6) { ["bibTex"]=> string(185) "@misc{Ceuleers2004, title = {Les Mots et les images}, publisher = {Ceuleers & Van de Velde Booksellers}, address = {Antwerpen}, year = {2004}, date = {2004}, entryorder = {2004-01-01} }" ["label"]=> string(81) "FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b" ["label"]=> string(81) "FGSD-D-047004 - Les Mots et les images, Ceuleers & Van de Velde Booksellers, 2004" ["$public"]=> bool(false) ["$slug"]=> string(5) "47004" } } ["$slug"]=> string(5) "47004" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/b94813c2-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(6) "il. 73" } [31]=> array(3) { ["display"]=> string(127) "FGSD-D-020198 - Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, 1993: p. 66" ["document"]=> array(6) { ["bibTex"]=> string(260) "@misc{L'Albaron1993, title = {Paul, Max et les autres : Paul Eluard et les surréalistes}, publisher = {L'Albaron, Musée d'Art et d´Histoire}, address = {Thonon-les-Bains [Haute-Savoie], Saint-Denis}, year = {1993}, date = {1993}, entryorder = {1993-01-01} }" ["label"]=> string(120) "FGSD-D-020198 - 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Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(86) "FGSD-D-023257 - Dalí una vida de llibre = Dalí a life in books, Destino [etc.], 2004" ["$public"]=> bool(false) ["$slug"]=> string(5) "23257" } } ["$slug"]=> string(5) "23257" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/96ba30c1-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(3) "118" } [33]=> array(3) { ["display"]=> string(79) "FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994: p. 48" ["document"]=> array(6) { ["bibTex"]=> string(172) "@misc{South1994, title = {Salvador Dalí: the early years}, publisher = {South Bank Centre}, address = {[London]}, year = {1994}, date = {1994}, entryorder = {1994-01-01} }" ["label"]=> string(72) "FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b" ["label"]=> string(72) "FGSD-D-019906 - Salvador Dalí: the early years, South Bank Centre, 1994" ["$public"]=> bool(false) ["$slug"]=> string(5) "19906" } } ["$slug"]=> string(5) "19906" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/c23db7c0-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(false) } ["page"]=> string(2) "48" } [34]=> array(4) { ["display"]=> string(227) "FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999: p. 456-459 [dibujos originales y otros relacionados por estar di. bujados en un ejemplar]" ["document"]=> array(6) { ["bibTex"]=> string(241) "@misc{Guggenheim1999, title = {Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections}, publisher = {Guggenheim Museum Publications}, address = {New York}, year = {1999}, date = {1999}, entryorder = {1999-01-01} }" ["label"]=> string(136) "FGSD-D-023518 - Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, 1999" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/9bbb30c1-42ec-e411-9471-00155d647f0b" ["label"]=> string(136) "FGSD-D-023518 - 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Dalí dedicó la obra íntegramente a Gala Diakonova, quien participó activamente en su realización durante un periodo de profundos cambios, tal como el propio artista explicaría más tarde en La vida secreta (1942) (1). El libro se inscribe dentro de la original línea editorial de Éditions Surréalistes, un proyecto colectivo del grupo surrealista iniciado en 1925 (2) . El frontispicio, realizado en heliograbado, procede de un dibujo a pluma con tinta china del artista. Tanto esta estampa como los dos dibujos reproducidos en fototipia −Grupo alegórico y La caza de mariposas− están estrechamente relacionados con la pintura L’homme invisible, obra que Dalí comenzó en 1929 y dejó inacabada. El frontispicio incluye una dedicatoria manuscrita a Gala, su musa, grabada directamente en la plancha. En letra minúscula reproduce versos extraídos del poema El Gran Masturbador: “en los crueles ornamentos de oro falso / que recubren sus sienes delicadas y blandas / e imitan / la forma de una corona imperial / cuyas finas hojas de acanto bronceado / se prolongan / hasta las mejillas rosadas e imberbes / y continúan sus fibras duras / hasta fundirlas / en el alabastro claro de su nuca / para Gala Diacanova Salvador Dalí 1930” (3) . Según documentación no verificada, el trabajo de impresión del frontispicio estuvo a cargo de Roger Lacourière (4), mientras que la impresión del libro fue realizada por la imprenta Ducros et Colas de París (5). Cada uno de los diez primeros ejemplares, impresos en papel japonés nacarado, incluye un dibujo original a tinta del artista en el margen de una de las páginas del libro. Los textos teóricos −El asno podrido, La cabra sanitaria, El amor y el poema El Gran Masturbador− fueron escritos durante 1930 . En El asno podrido, publicado previamente en el primer número de Le Surréalisme au service de la révolution en julio del mismo año, Dalí expone su teoría paranoico-crítica: “Creo que se acerca el tiempo en que, a través de un proceso de pensamiento paranoico y activo, será posible (simultáneamente con el automatismo y otros estados pasivos) sistematizar la confusión y contribuir al desprestigio total del mundo de la realidad. Los nuevos simulacros que el pensamiento paranoico puede hacer aparecer de repente no sólo tendrán su origen en el inconsciente, sino que la fuerza del poder paranoico se pondrá a su servicio”(7). El libro incluye además cinco ilustraciones adicionales: una fotografía de Gala tomada por Man Ray en 1925, un óleo del propio Dalí del año 1930 (6), Durmiente caballo león invisibles, y tres fotografías de edificios. De estos últimos, dos construcciones modernistas aún existen se conservan: la Casa Lleó Morera, en el Paseo de Gracia de Barcelona, diseñada por Lluís Domènech i Montaner, y la Casa Geli Vergés, obra del arquitecto Antonio Alcaide, situada en el número 58 de la calle Sant Llàtzer de Figueres. __________ (1) Dalí, S., The Secret Life of Salvador Dalí, Dial Press New York, 1942, p. 250. (2) Sebbag, G., Les Éditions surréalistes : 1926-1968, Institut Mémoires de l'édition contemporaine, París, 1993, p. 7. (3) “dans les cruels ornements en faux or / qui recoubrent (sic) ses tempes delicates et molles / en imitant/ la forme d'une courone imperialle / dont les fines feuilles d'acante bronzé / se prolongent /jusqu'aux joues roses et imberbes / et continuant ses fibres dures / jusqu’à se fondre / dans l'alabastre claire de sa nuque / pour Gala Diacanova Salvador Dalí 1930”. (Traducción de Aldo Pelegrini, Antología de poesía surrealista, Compañía General Fabril Editora, 1961.) (4) Michler, R., Löpsinger, L.W., Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980, Prestel-Verlag, Múnic, 1994, p. 126. (5) La Femme visible, “Épreuves ou tirage non relié d'un texte de Salvador Dali publié aux Éditions surréalistes en 1930”, © Association Atelier André Breton 2005 - 2022. La Femme visible (André Breton) (andrebreton.fr). Consultado el 31/08/2023. (6) “L’Âne Pourri”, “La Chèvre Sanitaire”, “Le Grand Masturbateur” y “L’Amour”, en el orden del libro. (7) “Je crois qu’est proche le moment où, par un processus de caractère paranoïaque et actif de la pensé, il sera possible (simultanément à l’automatisme et autres états passifs) de systématiser la confusion et de contribuer au discrédit total du monde de la réalité. Les nouveaux simulacres que la pensé paranoïaque peut subitement faire apparaître, non seulement auront leur origine dans l’inconscient, mais aussi la forcé du pouvoir paranoïaque sera mise au Service de celui-ci.” " ["$slug"]=> string(16) "LA FEMME VISIBLE" ["objectNumber"]=> string(4) "C002" ["title"]=> string(16) "La Femme Visible" ["objectNames"]=> array(1) { [0]=> array(5) { ["label"]=> string(5) "Libro" ["hierarchy"]=> array(1) { [0]=> array(3) { ["href"]=> string(60) "/coeli/FGSD/SKOSConcept/393055ad-ab44-05d4-28a8-2c82483c860d" ["label"]=> string(5) "Libro" ["$public"]=> bool(false) } } ["href"]=> string(60) "/coeli/FGSD/SKOSConcept/393055ad-ab44-05d4-28a8-2c82483c860d" ["display"]=> string(5) "Libro" ["$public"]=> bool(false) } } ["creditLine"]=> string(40) "Fundación Gala-Salvador Dalí, Figueres" ["appellations"]=> array(3) { [0]=> array(4) { ["display"]=> string(51) "Catàleg raonat - Títol original: La Femme Visible" ["type"]=> array(4) { ["href"]=> string(46) 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