Descripción
- Fecha:
- 1932
- Nombre de objeto:
- Libro
-
Le Revolver à cheveux blancs (La pistola con pelos blancos)
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Horloge hypnagogique [Escultura], Salvador Dalí i Domènech, 1932" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/8beab9bd-42ec-e411-9471-00155d647f0b" ["label"]=> string(73) "3297 - Horloge hypnagogique [Escultura], Salvador Dalí i Domènech, 1932" ["$public"]=> bool(true) ["$slug"]=> string(9) "3297-9782" } } ["$slug"]=> string(9) "3297-9782" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/8beab9bd-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(true) } } } ["label"]=> string(155) "C089 - Le Revolver à cheveux blancs [LE REVOLVER À CHEVEUX BLANCS] [Libro], Salvador Dalí i Domènech, André Breton, Éditions des Cahiers Libres, 1932" ["catalogNumberDisplay"]=> NULL ["webText"]=> string(2262) "La antología de poemas de André Breton Le Revolver à cheveux blancs está dedicada a Paul Éluard. Los diez primeros ejemplares fueron ilustrados con un frontispicio de Salvador Dalí reproducido en heliograbado y aguafuerte en papel Japón. Según el colofón, el libro se terminó de imprimir el 25 de junio de 1932 en la Imprimerie Union, por encargo de Éditions des Cahiers Libres de París. Este ejemplar en particular presenta remarques en el margen inferior de la plancha, la anotación “imprimé par Lacourière” (impreso por Lacourière) y las iniciales del artista en el bisel. Se trata del ejemplar perteneciente al propio ilustrador, Salvador Dalí, e incluye una dedicatoria de André Breton en la portadilla: “A Salvador Dalí / al gran maestro de los encantos / a quien debo ver con mis ojos / lo que adoro / y que es el ser que dispone de todo / de mi poder de asombro / desde el fondo de mi corazón / su amigo / André Breton” (1) . La estampa de Dalí, cargada de misterio y erotismo, parece captar la esencia poética del libro, cuyo desarrollo lírico se concibe como un “itinerario natural del abrazo amoroso” (2). Le Revolver à cheveux blancs forma parte de un conjunto de tres libros de poesía surrealista publicados simultáneamente por la editorial Éditions des Cahiers Libres bajo el lema “Le sujet de ce libre est un être mobile” (El tema de este libro es un ser móvil)(3). Los otros dos volúmenes de la trilogía, La Vie immédiate de Paul Éluard y Où boivent les loups de Tristan Tzara, incluyen ambos un frontispicio de Max Ernst impreso por Roger Lacourière. __________ (1) “A Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillements / du plus profond du coeur / son ami / André Breton". (2) Bonnet, M. (ed.), André Breton Oeuvres complètes II, Éditions Gallimard, 1992, p. 1336, cita la obra de Christine Martineau-Geniez para quien el poema está “calquée sur l’itinéraire naturel de l’étreinte amoureuse". (3) Op.cit., p. 1312-1313. Marguerite Bonnet indica que los tres libros se publicaron bajo el mismo lema: “Le sujet de ce libre est un être mobile”." 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