Description
- Date:
- 1932
- Nom de l’objet:
- Livre
- Número d'objecte:
- C089
/coeli/FGSD/Collection/CAT_RAO_OBRA_GRAFICA
/coeli/FGSD/Collection/CAT_RAO_SERIES_OG
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string(1499) "Notes sur la production
1-10 (10) : Papier japonais nacré avec gravure de Dalí.
11-1010 (1000) : Alpha - sans illustration.
La justification du tirage ne tient pas compte des douze livres illustrés – certains avec le frontispice sur feuille séparée – imprimés sur papier Montgolfier bleu et numérotés individuellement (I à XII) par André Breton, qui les offrit à ses amis, dont Gala Éluard, René Crevel et René Char.
Concernant l'état de la plaque, on distingue quatre groupes (i, i.i, ii, iii). Il existe également des traces d'un autre groupe, distinct des précédents, qui se différencie par le format plus grand du papier (iv.).
i. Les exemplaires numérotés de 1 à 10 sur papier japonais avec remarques, inscription et signature manuscrite de l'artiste.
i.i - (Variante du premier) Exemplaire non inclus dans la justification du tirage. Il s'agit des exemplaires référencés par les auteurs et l'éditeur – nous connaissons l'exemplaire de l'éditeur et de l'illustrateur (l'exemplaire FGSD). Avec annotations, inscription et signature de l'artiste, à l'exception de l'exemplaire de l'artiste lui-même.
ii. Papier bleu, douze exemplaires numérotés en chiffres romains par l'auteur André Breton. Certains comportent le frontispice sur feuille séparée.
iii. Épreuves séparées, certaines sans annotations et d'autres avec inscription.
iv. Épreuves séparées sur papier de plus grand format, certaines avec annotations et d'autres sans inscription.
"
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Cet exemplaire présente des remarques dans la marge inférieure de la planche, la mention « imprimé par Lacourière » et les initiales de l’artiste sur le biseau. Il s’agit de l’exemplaire ayant appartenu à Salvador Dalí. Il comporte une dédicace d’André Breton sur la page de faux-titre : « À Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillement / du plus profond du cœur / son ami / André Breton. » L’estampe de Dalí, empreinte de mystère et d’érotisme, semble cristalliser l’essence même du recueil, dont le déploiement poétique reproduirait « l’itinéraire naturel de l’étreinte amoureuse (1) ».
Le Revolver à cheveux blancs fait partie d’un ensemble de trois recueils de poèmes surréalistes réunis sous l’intitulé « Le sujet de ce livre est un être mobile (2) », publiés simultanément par les Éditions des Cahiers libres. Les deux autres volumes de cette trilogie — La Vie immédiate de Paul Éluard et Où boivent les loups de Tristan Tzara — comportent un frontispice de Max Ernst, imprimé par Roger Lacourière.
__________
(1) BRETON, André. Œuvres complètes, tome II, édition établie par Marguerite Bonnet. Paris : Gallimard, Bibliothèque de la Pléiade, 1992, p. 1336. Marguerite Bonnet évoquant l’interprétation de Christine Martineau-Geniez « qui s’attache à décrire la marche du poème comme calquée sur l’itinéraire naturel de l’étreinte amoureuse ».
(2) Op.cit., p. 1312-1313. Marguerite Bonnet indique que les trois recueils ont été publiés sous cet intitulé.
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