Description
- Date:
- 1932
- Nom de l’objet:
- Livre
-
Le Revolver à cheveux blancs
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Horloge hypnagogique [Escultura], Salvador Dalí i Domènech, 1932" ["hierarchy"]=> array(1) { [0]=> array(4) { ["href"]=> string(63) "/coeli/FGSD/HeritageObject/8beab9bd-42ec-e411-9471-00155d647f0b" ["label"]=> string(73) "3297 - Horloge hypnagogique [Escultura], Salvador Dalí i Domènech, 1932" ["$public"]=> bool(true) ["$slug"]=> string(9) "3297-9782" } } ["$slug"]=> string(9) "3297-9782" ["href"]=> string(63) "/coeli/FGSD/HeritageObject/8beab9bd-42ec-e411-9471-00155d647f0b" ["$public"]=> bool(true) } } } ["label"]=> string(155) "C089 - Le Revolver à cheveux blancs [LE REVOLVER À CHEVEUX BLANCS] [Livre], Salvador Dalí i Domènech, André Breton, Éditions des Cahiers Libres, 1932" ["catalogNumberDisplay"]=> NULL ["webText"]=> string(2115) "Le Revolver à cheveux blancs, recueil de poèmes d’André Breton, est dédié à Paul Éluard. Les dix premiers exemplaires sont illustrés d’un frontispice de Salvador Dalí gravé à l’eau-forte et reproduit par héliogravure sur papier Japon. Le colophon indique que l’ouvrage a été achevé d’imprimer le 25 juin 1932, à Paris, par l’imprimerie Union, pour le compte des Éditions des Cahiers libres. Cet exemplaire présente des remarques dans la marge inférieure de la planche, la mention « imprimé par Lacourière » et les initiales de l’artiste sur le biseau. Il s’agit de l’exemplaire ayant appartenu à Salvador Dalí. Il comporte une dédicace d’André Breton sur la page de faux-titre : « À Salvador Dali / au grand maître des charmes / à qui je dois de voir de mes yeux / ce que j'adore / et qui est l'être disposant entre tous / de ma puissance d'émerveillement / du plus profond du cœur / son ami / André Breton. » L’estampe de Dalí, empreinte de mystère et d’érotisme, semble cristalliser l’essence même du recueil, dont le déploiement poétique reproduirait « l’itinéraire naturel de l’étreinte amoureuse (1) ». Le Revolver à cheveux blancs fait partie d’un ensemble de trois recueils de poèmes surréalistes réunis sous l’intitulé « Le sujet de ce livre est un être mobile (2) », publiés simultanément par les Éditions des Cahiers libres. Les deux autres volumes de cette trilogie — La Vie immédiate de Paul Éluard et Où boivent les loups de Tristan Tzara — comportent un frontispice de Max Ernst, imprimé par Roger Lacourière. __________ (1) BRETON, André. Œuvres complètes, tome II, édition établie par Marguerite Bonnet. Paris : Gallimard, Bibliothèque de la Pléiade, 1992, p. 1336. Marguerite Bonnet évoquant l’interprétation de Christine Martineau-Geniez « qui s’attache à décrire la marche du poème comme calquée sur l’itinéraire naturel de l’étreinte amoureuse ». (2) Op.cit., p. 1312-1313. Marguerite Bonnet indique que les trois recueils ont été publiés sous cet intitulé. 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